|
Exposures |
|
|
|
|
2020 |
(upcoming) MUMMYTHEDADDY, publication with Malade |
|
(upcoming) On Gifting and Burdening, book launch/performance WALTER books, Arnhem |
|
Sonne, Perlen, Nikotin, group show by Rabea Ridlhammer, Peach, Rotterdam |
2019 |
a short stay, group show, Malade @ SLAK, Arnhem |
|
Meine Herkunft habe ich mir selbst konstruiert, lecture, Das Maß der Dinge, conference, TH OWL, Detmold |
2018 |
On Disappearance, book launch/performance WALTER books, Arnhem |
|
Constant Craving – performing under conditions, DAI MA Art Praxis Graduation Acts, State of concept, Athens |
|
islandthinking presentation with Curating Positions, DAI COOP Summit, Athens, |
|
Listening Group with Valentina Curandi, Flora Valeska Woudstra, various Locations, Athens |
|
Sensing with the back, performance, The Kitchen, not the restaurant, Dutch Art Institute, MACBA, Barcelona |
|
MUMMYTHEDADDY, performance, Lichtspiele curated by Mason Leaver-Yap, KW, Berlin |
2017 |
Atrocity exhibition, performance with Agatha Cieslak and Rabea Ridlhammer, Gonzo – Mad Tea Party, Christuskirche, Köln |
|
bent, performance, in support curated by Baha Görkem Yalim, de Kijkdoos, Amsterdam |
|
silence of the explicit, performance, The Kitchen, not the restaurant, Dutch Art Institute, Arnhem |
|
Porous Archive, with Görkem Baha Yalim, Van Abbe Museum, Eindhoven |
|
Contest: Teaching as a form of art, performative installation with Teaching as a form of art study group by Ruth Noack, Van Abbe Museum, Eindhoven |
|
The elephant in the room, intervention with Alejandro Céron and Mirjam Linschooten and Curating Positions, Van Abbe Museum, Eindhoven |
|
I‘ve already become an image, video-performance with Mirjam Linschooten, Symposium Teaching as a form of art, Coaty, Salvador da Bahia |
|
fishing for stories, performance, Praia do Porto da Barra, Salvador da Bahia |
|
space/biography LAB, action № 7 (eye and the display) with Simone Rueß, Akademie Schloss Solitude, Stuttgart |
2016 |
bent, performance, The Kitchen, not the restaurant, Dutch Art Institute, Arnhem |
|
Person/a,exhibition with Ian Clewe and Sarah Lehnerer, Projectspace Römerstraße, Stuttgart |
|
Remediations of a sensual universe, exhibition with Ian Clewe, Akademie Schloss Solitude, Stuttgart |
|
Biographie de Suspects, lecture und videoscreening with Ian Clewe, Merz Akademie, Stuttgart |
2015 |
RSVP, group show, Wühlischstraße 5, Berlin |
|
Picturing Discipline, Tracing Control, group show annd presentation with Disciplula, Bernhard Knaus Fine Art Gallery, Frankfurt |
|
Bouvard und Pecuchet 3000 - Erben, Wissen, Sex, performative research lab, chapter 10: Love, with Adrianna Liedtke and Felix Ensslin, Theater Rampe, Stuttgart |
2014 |
Biographie de Suspects, lecture with Ian Clewe, FMX, Stuttgart |
|
Man muss vielleicht erst ein Haus Bauen um es dann nicht zu wollen, presentation and gradutation exhibition, Merz Akademie, Stuttgart |
2013 |
casual friday, as part of Punch&Judy, Querungen – Württembergischer Kunstverein in cooperation with Akademie Schloss Solitude, Stuttgart |
|
Autopoiesis, group show curated by Didem Yazici Querungen – Württembergischer Kunstverein, Stuttgart |
|
PUNCH, as part of Punch&Judy, Open Mind Festival, Alte Feuerwache, Mannheim |
|
Abbiegungen, solo exhibition, Land of the Temopary Eternity, Stuttgart |
|
No place to hide, group show as part of Punch&Judy, curated by Felix Ensslin Arbeitsamt, Stuttgart |
|
Steffen Kugel, group show, Palermo Gallery, Stuttgart |
|
FKX - student Festival for media Art and Performance, killAreal, Fellbach |
2012 |
Stand der Dinge, video screening, Tonstudio, Stuttgart |
|
Participation Mystique, workshop with Die Liebespaarmörder, Land Of The Temporary Eternity, Stuttgart |
|
Holzwege, videoscreening, Kulturpark Berg, Stuttgart |
|
Welch schöne Utopie, group show, Wilhelmspalais, Stuttgart |
2011 |
Die Kunst nicht dermaßen regiert zu werden, Württembergischer Kunstverein, Stuttgart |
|
Stuttgarter Kompressionen, video-installation, with Stuttgart12, „Duisburger Filmwoche“, Duisburg
|
|
This is not a Terror Video, filmscreening, Tonstudio, Stuttgart |
|
|
|
|
|
Publications and Writings |
|
|
|
|
2020 |
MUMMYTHEDADDY, artist book, published by Malade (upcoming) |
2019 |
Meine Herkunft habe ich mir selbst konstruiert, Publication with Eva Filter, published by TH-OWL, Detmold |
|
The classroom as camera, curatorial text, COOP-Summit - Dutch Art institute, Cagliari |
|
Keep The Conversation Going, Softpower-issue, Schlosspost, Akademie Schloss Solitude, Stuttgart |
2018 |
On Disappearance, Anthology, Edition of 65, published by SpellBoundPages |
|
Instagram-takeover, KW institute of contemporary Art, Berlin |
|
Space/biography LAB contribution, Artistbook/cataloge by Simone Rueß, Edition Solitude, Stuttgart |
2016 |
Person/a, 3 Editions of Artistbooks together with Ian Clewe and Sarah Lehnerer, Akademie Schloss Solitude |
|
Zeitschrift für Hoschschulentwicklung Jg10/nr.1 März 2015: Künstlerische Forschung an Hochschulen und Universitäten - zwischen Idee, Skizze und realisierung, series of collages with Ian Clewe for the contribution of David Quigley
|
|
Casual Friday - Chronicles Of Work, Online-publication as part of Punch&Judy, Akademie Schloss Solitude |
2014 |
Biegen, Artistbook, August Verlag, Berlin |
|
Stuttgart 12 in Remediate, an den Grenzen von Film Web und Archiv, Wilhelm Fink Verlag |
|
no place to hide, Catalogue |
2013 |
Kissing in Am17 Obsessions |
2012 |
Küssen in Copter - Theorie, Materie, Hoffnung |
|
|
|
|
|
Connective work |
|
|
|
|
2019-20 |
Teamteaching with Prof. Iris Baum, Readingpositions, TH OWL, Detmold |
2019 |
Contributing to Publik discussion, Conference: Lehre, Ästhetik, Wirtschaft – Kann das Bauhaus das?, Projekt MIK, Pavillon, Krefeld |
2019 |
Workshop Meine Herkunft habe ich mir selbst konstruiert, Detmolder Schule, FH-OWL, Detmold |
2019 |
Initiating cooperative Foundation with Krista Jantowski for WALTER books, Libraries and curated Bookshop, Arnhem |
2018– |
Tutor with Curating Positions at Dutch Art Institute |
|
Initiating Spellbound Pages, binding and publishing project with Flora Valeska Woudstra and Valentina Curandi
|
|
Initiating Listening Group, Study Group, various locations |
2017 |
Curatorial workshop on walking with Eric Peter and Polly Wright: Curating positions: practicing organisation under present conditions, Thessaloniki |
2012-14 |
Co-initiator and Member of artist group Punch&Judy (previously Copter-Coop) |
2011-14 |
Co-initiator and Member of Projektraum LOTTE Land Of The Temporary Eternity, Stuttgart |
2014-15 |
Academic Assistant, Merz Akademie, Stuttgart |
|
|
|
|
|
Residencies |
|
|
|
|
2019 |
SLAK Residency, Arnhem |
2018 |
Künstlerdorf Schöppingen |
|
Dream Art Institute, Arnhem |
2016 |
Akademie Schloss Solitude, Stuttgart |
2011 |
Utopia Parkway, Stuttgart |
|
|
|
|
|
Structural Support |
|
|
|
|
2019/20 |
Grant, Mondriaan Fund for Art iniatives for WALTER books,Listening Group and Spellbound Pages |
|
Grant, Erasmus+ Staff Mobility for Teaching with TH OWL |
2017/18 |
DAAD Graduate Scholarship for Art, German Academic Exchange Programm |
2016 |
Filmfunding, MFG Baden-Württemberg in cooperation with Akademie Schloss Solitude |
2013-15 |
Grant, MFG Baden-Württemberg (Biographie de Suspects/ Remediate II) |
2013 |
Grant, Stiftung Kunstfonds, for Biegen with August Verlag Berlin |
|
Winner (Juryprice) Open-Mind-Preis der Kunst- und Musikhochschulen Baden-Württemberg with Punch&Judy |
2012-13 |
Grant of Innovationsring Baden-Württemberg |
2012-14 |
Scholarship, Deutschlandstipendium |
2009-12 |
Promotional-support by Landesanstalt für Kommunikation and MFG Baden-Württemberg |
|
|
|
|
|
Education |
|
|
|
|
2018 |
Master Art Praxis (Master Fine Art), Dutch Art Institute (DAI) |
2014 |
Master of Arts (Honors), Artistic Research in Art, Design and Media, Merz Akademie, Stuttgart |
2011-13 |
Guest-Studies with Felix Ensslin and Christian Jankowski at State Academy of Art and Design, Stuttgart |
2012 |
Bachelor of Arts (Honors) in Film/Video, Merz Akademie Stuttgart |