| Exposures | |
| 2020 | (upcoming) MUMMYTHEDADDY, publication with Malade |
| (upcoming) On Gifting and Burdening, book launch/performance WALTER books, Arnhem | |
| Sonne, Perlen, Nikotin, group show by Rabea Ridlhammer, Peach, Rotterdam | |
| 2019 | a short stay, group show, Malade @ SLAK, Arnhem |
| Meine Herkunft habe ich mir selbst konstruiert, lecture, Das Maß der Dinge, conference, TH OWL, Detmold | |
| 2018 | On Disappearance, book launch/performance WALTER books, Arnhem |
| Constant Craving – performing under conditions, DAI MA Art Praxis Graduation Acts, State of concept, Athens | |
| islandthinking presentation with Curating Positions, DAI COOP Summit, Athens, | |
| Listening Group with Valentina Curandi, Flora Valeska Woudstra, various Locations, Athens | |
| Sensing with the back, performance, The Kitchen, not the restaurant, Dutch Art Institute, MACBA, Barcelona | |
| MUMMYTHEDADDY, performance, Lichtspiele curated by Mason Leaver-Yap, KW, Berlin | |
| 2017 | Atrocity exhibition, performance with Agatha Cieslak and Rabea Ridlhammer, Gonzo – Mad Tea Party, Christuskirche, Köln |
| bent, performance, in support curated by Baha Görkem Yalim, de Kijkdoos, Amsterdam | |
| silence of the explicit, performance, The Kitchen, not the restaurant, Dutch Art Institute, Arnhem | |
| Porous Archive, with Görkem Baha Yalim, Van Abbe Museum, Eindhoven | |
| Contest: Teaching as a form of art, performative installation with Teaching as a form of art study group by Ruth Noack, Van Abbe Museum, Eindhoven | |
| The elephant in the room, intervention with Alejandro Céron and Mirjam Linschooten and Curating Positions, Van Abbe Museum, Eindhoven | |
| I‘ve already become an image, video-performance with Mirjam Linschooten, Symposium Teaching as a form of art, Coaty, Salvador da Bahia | |
| fishing for stories, performance, Praia do Porto da Barra, Salvador da Bahia | |
| space/biography LAB, action № 7 (eye and the display) with Simone Rueß, Akademie Schloss Solitude, Stuttgart | |
| 2016 | bent, performance, The Kitchen, not the restaurant, Dutch Art Institute, Arnhem |
| Person/a,exhibition with Ian Clewe and Sarah Lehnerer, Projectspace Römerstraße, Stuttgart | |
| Remediations of a sensual universe, exhibition with Ian Clewe, Akademie Schloss Solitude, Stuttgart | |
| Biographie de Suspects, lecture und videoscreening with Ian Clewe, Merz Akademie, Stuttgart | |
| 2015 | RSVP, group show, Wühlischstraße 5, Berlin |
| Picturing Discipline, Tracing Control, group show annd presentation with Disciplula, Bernhard Knaus Fine Art Gallery, Frankfurt | |
| Bouvard und Pecuchet 3000 - Erben, Wissen, Sex, performative research lab, chapter 10: Love, with Adrianna Liedtke and Felix Ensslin, Theater Rampe, Stuttgart | |
| 2014 | Biographie de Suspects, lecture with Ian Clewe, FMX, Stuttgart |
| Man muss vielleicht erst ein Haus Bauen um es dann nicht zu wollen, presentation and gradutation exhibition, Merz Akademie, Stuttgart | |
| 2013 | casual friday, as part of Punch&Judy, Querungen – Württembergischer Kunstverein in cooperation with Akademie Schloss Solitude, Stuttgart |
| Autopoiesis, group show curated by Didem Yazici Querungen – Württembergischer Kunstverein, Stuttgart | |
| PUNCH, as part of Punch&Judy, Open Mind Festival, Alte Feuerwache, Mannheim | |
| Abbiegungen, solo exhibition, Land of the Temopary Eternity, Stuttgart | |
| No place to hide, group show as part of Punch&Judy, curated by Felix Ensslin Arbeitsamt, Stuttgart | |
| Steffen Kugel, group show, Palermo Gallery, Stuttgart | |
| FKX - student Festival for media Art and Performance, killAreal, Fellbach | |
| 2012 | Stand der Dinge, video screening, Tonstudio, Stuttgart |
| Participation Mystique, workshop with Die Liebespaarmörder, Land Of The Temporary Eternity, Stuttgart | |
| Holzwege, videoscreening, Kulturpark Berg, Stuttgart | |
| Welch schöne Utopie, group show, Wilhelmspalais, Stuttgart | |
| 2011 | Die Kunst nicht dermaßen regiert zu werden, Württembergischer Kunstverein, Stuttgart |
| Stuttgarter Kompressionen, video-installation, with Stuttgart12, „Duisburger Filmwoche“, Duisburg | |
| This is not a Terror Video, filmscreening, Tonstudio, Stuttgart | |
| Publications and Writings | |
| 2020 | MUMMYTHEDADDY, artist book, published by Malade (upcoming) |
| 2019 | Meine Herkunft habe ich mir selbst konstruiert, Publication with Eva Filter, published by TH-OWL, Detmold |
| The classroom as camera, curatorial text, COOP-Summit - Dutch Art institute, Cagliari | |
| Keep The Conversation Going, Softpower-issue, Schlosspost, Akademie Schloss Solitude, Stuttgart | |
| 2018 | On Disappearance, Anthology, Edition of 65, published by SpellBoundPages |
| Instagram-takeover, KW institute of contemporary Art, Berlin | |
| Space/biography LAB contribution, Artistbook/cataloge by Simone Rueß, Edition Solitude, Stuttgart | |
| 2016 | Person/a, 3 Editions of Artistbooks together with Ian Clewe and Sarah Lehnerer, Akademie Schloss Solitude |
| Zeitschrift für Hoschschulentwicklung Jg10/nr.1 März 2015: Künstlerische Forschung an Hochschulen und Universitäten - zwischen Idee, Skizze und realisierung, series of collages with Ian Clewe for the contribution of David Quigley | |
| Casual Friday - Chronicles Of Work, Online-publication as part of Punch&Judy, Akademie Schloss Solitude | |
| 2014 | Biegen, Artistbook, August Verlag, Berlin |
| Stuttgart 12 in Remediate, an den Grenzen von Film Web und Archiv, Wilhelm Fink Verlag | |
| no place to hide, Catalogue | |
| 2013 | Kissing in Am17 Obsessions |
| 2012 | Küssen in Copter - Theorie, Materie, Hoffnung |
| Connective work | |
| 2019-20 | Teamteaching with Prof. Iris Baum, Readingpositions, TH OWL, Detmold |
| 2019 | Contributing to Publik discussion, Conference: Lehre, Ästhetik, Wirtschaft – Kann das Bauhaus das?, Projekt MIK, Pavillon, Krefeld |
| 2019 | Workshop Meine Herkunft habe ich mir selbst konstruiert, Detmolder Schule, FH-OWL, Detmold |
| 2019 | Initiating cooperative Foundation with Krista Jantowski for WALTER books, Libraries and curated Bookshop, Arnhem |
| 2018– | Tutor with Curating Positions at Dutch Art Institute |
| Initiating Spellbound Pages, binding and publishing project with Flora Valeska Woudstra and Valentina Curandi | |
| Initiating Listening Group, Study Group, various locations | |
| 2017 | Curatorial workshop on walking with Eric Peter and Polly Wright: Curating positions: practicing organisation under present conditions, Thessaloniki |
| 2012-14 | Co-initiator and Member of artist group Punch&Judy (previously Copter-Coop) |
| 2011-14 | Co-initiator and Member of Projektraum LOTTE Land Of The Temporary Eternity, Stuttgart |
| 2014-15 | Academic Assistant, Merz Akademie, Stuttgart |
| Residencies | |
| 2019 | SLAK Residency, Arnhem |
| 2018 | Künstlerdorf Schöppingen |
| Dream Art Institute, Arnhem | |
| 2016 | Akademie Schloss Solitude, Stuttgart |
| 2011 | Utopia Parkway, Stuttgart |
| Structural Support | |
| 2019/20 | Grant, Mondriaan Fund for Art iniatives for WALTER books,Listening Group and Spellbound Pages |
| Grant, Erasmus+ Staff Mobility for Teaching with TH OWL | |
| 2017/18 | DAAD Graduate Scholarship for Art, German Academic Exchange Programm |
| 2016 | Filmfunding, MFG Baden-Württemberg in cooperation with Akademie Schloss Solitude |
| 2013-15 | Grant, MFG Baden-Württemberg (Biographie de Suspects/ Remediate II) |
| 2013 | Grant, Stiftung Kunstfonds, for Biegen with August Verlag Berlin |
| Winner (Juryprice) Open-Mind-Preis der Kunst- und Musikhochschulen Baden-Württemberg with Punch&Judy | |
| 2012-13 | Grant of Innovationsring Baden-Württemberg |
| 2012-14 | Scholarship, Deutschlandstipendium |
| 2009-12 | Promotional-support by Landesanstalt für Kommunikation and MFG Baden-Württemberg |
| Education | |
| 2018 | Master Art Praxis (Master Fine Art), Dutch Art Institute (DAI) |
| 2014 | Master of Arts (Honors), Artistic Research in Art, Design and Media, Merz Akademie, Stuttgart |
| 2011-13 | Guest-Studies with Felix Ensslin and Christian Jankowski at State Academy of Art and Design, Stuttgart |
| 2012 | Bachelor of Arts (Honors) in Film/Video, Merz Akademie Stuttgart |